1. Examine the implications of the notion of identification and point of view by closely analysing a couple of scenes from a film or films of your choice. Consider how this affects your engagement with the text. You can use examples from the same or diffe

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1. Examine the implications of the notion of identification and point of view by closely analysing a couple of scenes from a film or films of your choice. Consider how this affects your engagement with the text. You can use examples from the same or different films

Useful Sources:

.David Bordwell, Narration in the Fiction Film, London: Routledge, 1986 (first pub. Methuen, 1985)
2.Edward Branigan, ‘The Point-of-View Shot’ in Bill Nichols (ed.), Movies and Methods, vol 2, Berkeley, Univ of California Press, 1985
3.Nick Browne, ‘The Spectator in the Text: The Rhetoric of Stagecoach,’ Movies and Methods, vol 2

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