All non-fiction films are authored, but the author – or the authorial attitude – is not always immediately visible. Discuss this proposition with reference to two long- form non-fiction films of your choosing. You should compare one film where the aut

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QUESTION:

All non-fiction films are authored, but the author – or the authorial attitude – is not always immediately visible. Discuss this proposition with reference to two long- form non-fiction films of your choosing. You should compare one film where the author is a visible and/or audible presence with one where the author (or the authorship) is not.

Note: By long- form, the examiners mean an hour slot as a minimum on (broadcast) television; a complete, self-contained interactive piece made for the web, or of course a full-length cinema feature or equivalent.

ESSAY:

  1. Watch at least two non-fiction films or long-form programmes as specified above
  2. Analyse those films in line with either of the titles, paying close attention to the different emphasis in each title.
  3. Write a 3000 word essay exploring and discussing your findings.
  4. You are not required to summarise your chosen films beyond the degree required to aid the reader’s understanding of your argument. You can assume your examiners will know – or will be able to access – your choices.
  5. think about both theoretical and practical responses to the production of non- fiction.
  6. The word counts – 3000 words – include references (Harvard) but do not include your bibliography.
  7. You may use illustrations or screen grabs to assist your account as long as they are properly referenced. 

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