In our discussion of David Mitchell`s Cloud Atlas, we`ve examined the possible relation between the structure of the novel as a set of “nesting doll” stories and a conception of history not as “Time`s inexorable arrow” but rather as cyclical. I don`t subscribe to the theoretical (given infinite space and time) repetition of history, but there`s intrigue to the prospect of cyclical history that finds humanity returning periodically to similar circumstances. Whether the outcomes differ is a matter for further contemplation.



We`ve further noted that Mitchell`s novel and its adaptation by Tykwer/Wachowski provide certain visual and thematic cues (motifs), such as an unusual birthmark, that indicate the principal characters in the Sextet are likewise an expression of history`s “repetition with a difference.”



Please try to tie these considerations of plot structure and character to the broader themes of the novel, howsoever you`d like to identify them. If Ewing, Frobisher, Rey, Cavendish, Sonmi and Zachry are transmigrations of the same soul over the centuries, how does their similarity carry forward Mitchell`s theme(s)? Are Tykwer/Wachowski successful in bringing this implied comparison (because no-one explicitly states they`re the “same” character) to the screen; and if so, are there properties of cinema, as opposed to long-form narrative prose, that make their job either harder or easier?



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Clould Altas 云图 这个是类似于看书改编的电影 然后essay里面要写关于改编评价之类的